Company Mandate

Opera on the Avalon is committed to bringing compelling stories to life through the magic of the singing voice: the most powerful, authentic, and expressive instrument of all. We are committed to presenting modern works receiving critical acclaims, and new tellings of our own history. Opera on the Avalon is mandated to turn history into art with the development of new operatic works while bringing opera to all ages and demographics in an underserved community on a broader scale. 


Cheryl Hickman

General & Artistic Director 

Cheryl Hickman is the General and Artistic Director of Opera on the Avalon (Newfoundland), a company she founded in 2009. She has been the Artistic Director since its inception and took on the role of General Director in 2014. She established OOTA’s Creation Investment Fund, which resulted in Atlantic Canada’s first grand opera commission, that helped OOTA to win numerous awards, including BMO/ Arts NL Artist of the year in 2017. 

Her tenure at OOTA has seen critical acclaim for her bold and challenging programming, particularly in terms of her approach to turning history into art as part of a dialogue about the relevance of opera in today’s society. OOTA’s commissions such as John Estacio and Robert Chafe’s Ours, Kathleen Allen’s The Danger Tree, and Dean Burry and Yvette Nolan’s upcoming Shanawdithit are demonstrating the capacity for commissioned works to bring new audiences to the opera house. She has successfully made the case that traditional operas should also be a source of contemporary excitement and relevance for the people of her region as well as the country. 

As both a performer and an administrator she has consistently championed women artists by establishing professional mentorships and development opportunities for female conductors, composers, librettists, directors, production staff, and administrators. She has created local programming that has resulted in employment partnerships with the Government of Newfoundland and Labradors’s Job Creation Partnership Program, ensuring the presence, development and participation of regional artists and artisans. 

Hickman has also been responsible for establishing Eastern Canada’s only comprehensive summer professional training program for Emerging Artists from around the world, and mounts Atlantic Canada’s only summer opera festival held every year in May and June which is sponsored in part by RBC’s emerging artists fund. During her tenure as Artistic and General Director, OOTA has increased its operating budget by 2100%, achieving 9 consecutive surplus seasons, and performing to audiences at more than 85% capacity. This has involved cultivating donors to support productions not previously performed within the region, such as Dead Man Walking, The Brothers Grimm and The Turn of the Screw. At OOTA she has developed and strengthened the points of connection between the performing arts and civic impact, including the major public art installation Garden of Tears, funded by RBC and the Cahill Group, and supported by Canadian Heritage, with patronage and participation by His Excellency, The Right Honourable David Johnston, Governor General of Canada. These civic impact initiatives have also developed new areas for private and public partnerships with stakeholders throughout the region. 

In 2017 Hickman was appointed to the Canada Council for the Arts. She has been Chair of the Board for since 2015, having previously served as Vice Chair. She was appointed to the City of St. John’s Arts Advisory Board in 2015. Most significantly, in the past seven years she has led successful negotiations with provincial and federal governments and agencies to secure significant investment towards increasing access to the arts. This funding has enabled OOTA to offer inclusive, multidisciplinary performances that are accessible to audiences in rural areas, Indigenous people, youth, minority-language communities, new arrivals and people with disabilities. 

Hickman studied Music and Opera at the University of Toronto (1988-95) followed by a Masters of Music (Honours) at The Juilliard School (1995-97). She was awarded a placement as a young artist at the Juilliard Opera Centre, before returning home to Canada as a member of the Canadian Opera Company Ensemble. 

Hickman’s early career began as a soprano performing to critical acclaim with some of the foremost operatic companies throughout North America and Europe including New York City Opera, Vancouver Opera, Calgary Opera, Pacific Opera Victoria, Manitoba Opera, Canadian Opera Company, Florida Grand Opera and Opera Français. Hickman has also been the recipient of many awards and prizes, including the Houston Grand Opera Eleanor McCollum Prize, the Sullivan Foundation Grant, the George London Foundation Kirsten Flagstad Award, and the Metropolitan Opera National Council Auditions. 

Throughout her career, Hickman has been active in many professional associations and is in demand as a lecturer, clinician, and teacher. She has been an adjudicator, assessor and board member for numerous organizations throughout Atlantic Canada. An active member in her community, Hickman is an advisor for Business and the Arts NL, and an Honorary Patron of the Atlantic Boy Choir.

Judith Yan

Resident Conductor 

Judith Yan is the Principal Conductor of Opera on the Avalon and Artistic Director of Guelph Symphony Orchestra.  She has held Staff Conductor positions at San Francisco Opera, Canadian Opera Company, and National Ballet of Canada, and her career has taken her internationally, conducting for major companies in Germany, Australia, Poland, Hong Kong, South Korea, New Zealand, and the United States.  

Recent performances include two world-premieres, Estacio’s Ours for OOTA and Perla’s An American Dream for Seattle Opera, debuts at National Arts Centre with The Sleeping Beauty and Taming of the Shrew for Teatr Wielki in Warsaw. Verdi’s Requiem and Elgar’s Enigma Variations for GSO, and Don Quixote for West Australian Ballet. Upcoming in 2017/18 includes An American Dream for Seattle Opera, Le Corsaire for Hong Kong Ballet, Hansel and Gretel and The Rite of Spring for GSO, Swan Lake for Korean National Ballet, and the Australian premiere of Dracula for West Australian Ballet.

Board of Directors

Gerlinde van Driel, Chair 
Anna Cook 
Judy Dobbin 
Matthew Flynn 
Cheryl Hickman, Ex-Officio 
Kim Keating 
John Thompson 
Geoff Wedgwood 
Kevin Woodbury


Opera on the Avalon
78 O’Leary Avenue
St. John’s, NL, A1B 2C7

Mon-Fri, 9am-5pm

(709) 738 1322

Land Acknowledgement

We respectfully acknowledge the territory in which we gather as the ancestral homelands of the Beothuk, and the island of Newfoundland as the ancestral homelands of the Mi’kmaq and Beothuk. We would also like to recognize the Inuit of Nunatsiavut and NunatuKavut and the Innu of Nitassinan, and their ancestors, as the original people of Labrador. We strive for respectful relationships with all the peoples of this province as we search for collective healing and true reconciliation and honour this beautiful land together.